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Showing posts with label Eddie Gorodetsky. Show all posts
Showing posts with label Eddie Gorodetsky. Show all posts

Monday, May 09, 2011

Theme Time Radio Hour F.A.Q.

This F.A.Q. covers the common Theme Time Radio Hour questions I've received while writing Dreamtime. Updated February 2015 to announce the appearance of TTRH's 101st episode, "Kiss," broadcast on February 11, 2015. Updated again September 2020 to include the "Whiskey" episide.

Some of the following information is unverified. When I use qualifiers such as "possibly," "probably" and so on it means I'm making my best guess based on available information. It doesn't necessarily mean I'm right. Feel free to disagree.

Q: Who did the opening "Night in the Big City" introduction?

A: Ellen Barkin. The identity of the narrator was argued among TTRH fans during Season 1 until the Christmas episode was broadcast, when Barkin identified herself.

Except for announcer "Pierre Mancini" and Dylan himself, Barkin was the only continuing voice on TTRH. Barkin introduced every episode in Seasons 1 and 2 except the Season 1 "Halloween" show, which was introduced by comedian Steven Wright.

Barkin's intro was used intermittently during the final season. In some Season 3 shows the intro was dropped altogether. In other episodes, the intro was edited to Barkin's voice simply saying, "This is Theme Time Radio Hour with your host, Bob Dylan." During the final "Goodbye" show of Season 3, which did not use an intro, Barkin was heard midway through the episode announcing to listeners, "This is Ellen Barkin. It's time to go..."


Jazz pianist/singer Diana Krall made the introduction to the  new "Whiskey"-themed episode aired in September 2020.

Q: What is the background music played in the credits?

A: "Top Cat (Underscore)," which can be found on the CD compilations, Tunes from the Toons: The Best of Hanna-Barbera and Hanna-Barbera's Pic-a-Nic Basket of Cartoon Classics . Both compilations are currently out-of-print, but can be purchased from third-party sellers on both Amazon and eBay.

The music is an acoustic version of the theme song from the cartoon Top Cat, composed by Hoyt Curtin.  The more familiar version of the "Top Cat" theme was played as the last song of Season 3's "Cats" episode.

Q: Where can I find playlists of the music played on TTRH?

A: The Wikipedia article on TTRH , "notdarkyet.org ," or the Theme Time Radio Hour Discussion Forum at Expecting Rain.

Q: Who is announcer "Pierre Mancini?"

A: TTRH producer, Eddie Gorodetsky.

Q: Who is Eddie Gorodetsky?

A: Gorodetsky has had a storied career as disc jockey, writer, comedian, and television writer/producer.  In some circles he's probably as well-known as Bob Dylan.

Among music collectors and music historians, Gorodetsky and his collection are legendary. In a 2010 Wall Street Journal interview, Gorodetsky estimated his collection at over 10,000 albums and 140,000 digital files.

For over two decades Gorodetsky distributed annual holiday cassette tapes and later CD compilations of forgotten, arcane and just plain weird Christmas music to friends and acquaintances. Copies of those compilations - which often resemble a TTRH playlist - are exceedingly rare and regularly sell for hundreds of dollars. They can be occasionally found on eBay, especially around the holiday season.

It's likely that their common interest in music is how he and Bob Dylan first met. Gorodetsky, a Rhode Island native and a one-time Boston deejay, is a member of the so-called "Boston Mafia" circle of Dylan friends and acquaintances, which includes Peter Wolf and Peter Guralnick.  He may have been introduced to Dylan through one of those people.  Gorodetsky is reportedly a close friend of another musician who values his privacy - Tom Waits - probably one of the reasons that Waits made regular "guest appearances" on Theme Time Radio Hour and, with Dinah Washington, became the show's "most-played artist" by the close of Season 3.

One commercial Eddie Gorodetsky Christmas compilation, Christmas Party with Eddie G was released, the only issue from the Strikin' It Rich label, owned by Bob Dylan.

The 1990 compilation, later re-issued in 1996, is in many ways a precursor of what would become the idea for TTRH. The press release announcing the formation of Strikin' It Rich stated that it would be, "releasing rare and interesting rhythm and blues material," presumably much of it originating from Gorodetsky's massive record collection, and probably with the idea that the label's releases would be curated by Gorodetsky and Dylan himself. Strikin' It Rich's goal of "releasing rare and interesting rhythm and blues material," fizzled out after Christmas Party with Eddie G. and would remain nascent for a decade before being revived for the genesis of Theme Time Radio Hour.

Before TTRH, Gorodetsky's connection to Dylan was best-known through the television series, Dharma & Greg, where Gorodetsky was a writer/producer and arranged for a Dylan cameo appearance on the show. Gorodetsky has also appeared in the movie Masked and Anonymous and in the Tweedle Dum & Tweedle Dee music video.

Q: What are Big Red Tree and Grey Water Park Productions?

A: Grey Water Park is Bob Dylan's production company, used to produce and finance various Dylan-related media projects, including TTRH. Big Red Tree is Eddie Gorodetsky's production company, filling a similar role for him as GWPP does for Dylan.

Q: Who are the various people named in the Season 1-3 credits?

A: Many of the research/production team named are long-time employees of Bob Dylan, or more accurately, of Grey Water Park Productions. Many of the other people named are - or were - employees of XM Radio.

The "associate producer" of Season 3 was one "Nina Fitzgerald," also credited as "Nina Washington," replacing Season 2's "Ben Rollins," who himself had replaced Season 1's "Sonny Webster." The three pseudonymous associate producers giving a nod to jazz giants was actually just one person who prefers, as the saying goes, to remain anonymous.

Jim McBean, who is credited with "production assistance," was the XM Radio vice president of production and an "audio animator" whose staff developed the TTRH promotional announcements as well as supplying some of the vintage radio airchecks used on the show. You can hear McBean's voice in the promotions  as well as the "Sponsored by Cadillac" intro used throughout most of Season 2. McBean left Sirius XM in 2008 and formed "Music Fog," a site covering Americana music, with several other partners.

Randy Ezratty, who was the engineer who recorded Dylan's 1995 MTV "Unplugged" album, reportedly introduced Lee Abrams to Dylan's business people and helped to facilitate the show's production process. Ezratty's mobile recording company - Effanel Music - was purchased by XM Radio in 2006, and Ezratty became an executive at XM. Engineer and editor Rob Macomber, another member of the Effanel team, also joined XM Radio at that time.

Out of all the XM Radio personnel associated with Theme Time Radio Hour, Rob Macomber was the person who worked most closely with the Theme Time team.  Among other responsibilities, Macomber was part of the composite "studio engineer, 'Tex' Carbone," together with sound editor, Damian Rodriguez and the anonymous associate producer. 

Coco Shinomiya is a respected graphic designer and art director, a two-time Grammy nominee, and incidentally, Eddie Gorodetsky's wife. Shinomiya has worked on many Bob Dylan-related projects, and designed the Theme Time Radio Hour iconic logo.

Lee Abrams was the Chief Creative Officer of XM Radio, and the prime mover in bringing Dylan to satellite radio. He left the company in 2008.

The identity of Continuity Coordinator, "Eeeps" Martin is unknown, as is the correct spelling of his/her nickname.

Q: Is the Abernathy Building real?

A: The Abernathy Building and surrounding environs (Studio B, Samson's Diner, Elmo's Bar & Grill, Carl's Barber Shop) exist only in the theater of the mind.

Q: How did TTRH start? Where is it recorded? How is it produced?

Creation

Then-Chief Creative Officer Lee Abrams wrote that in 2005 he had pitched Dylan's offices on the idea of Dylan doing something for XM Radio. A "Bob Dylan Channel" was discussed, but the idea was discarded. In ongoing talks the concept of a weekly radio show evolved, and a deal was signed in late December 2005. Abrams went on to write that the premiere show was originally scheduled for a February 2006 release. The first press release about the show names March as the start date, but the premiere was eventually pushed out to May to accommodate Dylan's schedule.

Production

The mechanics of TTRH production were a closely-held secret, due to a desire to preserve the Dylan mystique as well as the listener's "willing suspension of disbelief" that TTRH was a vintage radio show, with Your Host Bob Dylan broadcasting live from Studio B of the Abernathy Building.

In reality, Dylan's narrative was recorded separately from the other show elements and later mixed in, a common technique in modern radio called "voice tracking." Dylan used a mobile recording set-up to lay down his narrative tracks while on tour or at other locations. Final editing and production sessions were conducted in New York City and Washington, D.C.

Most non-musical show elements, such as the celebrity segments and the caller side of the staged phone calls were recorded in Los Angeles, home base of Eddie Gorodetsky, or in New York City, home of Dylan's Grey Water Park Productions.

Music for the various episodes were probably supplied by all the members of the TTRH team, most notably by Eddie Gorodetsky. A 2010 Wall Street Journal interview with him noted that "... much of the material for the 100 [TTRH] episodes was culled from Mr. Gorodetsky's own record collection" and it's indicative that during the interview and in the Eddie G's Holiday List sidebar, Gorodetsky names a half-dozen favorites that were aired on various episodes of TTRH.

XM Radio representatives noted in interviews that they received the shows in completed, final format, but occasionally replaced some music tracks with versions from the XM music library either better recorded or better suited for satellite transmission.

Recording vs. Air Dates

One hotly-debated topic among TTRH fans was how far in advance the shows were recorded prior to airing. XM personnel have noted in interviews that most Season 1 shows were usually delivered two weeks or less prior to airing. Other evidence, such as Dylan's remark during the "Number One" episode on Ike Turner's death shortly after that event confirms that some shows were still in production as little as two weeks prior to airing.

In an interview conducted in April 2009, in fact just a week before the broadcast of TTRH's final episode, Bob Dylan stated that he "had stopped doing those shows a while ago." Other evidence also suggests that Dylan's direct involvement with TTRH had ended sometime in  2008.

There is strong circumstantial evidence that Seasons 2 and 3 were originally planned as one Season 2 50-episode block of shows intended to run from 2007 through 2008, similar to Season 1. Likely due to Lee Abrams leaving the company, the then-pending merger of Sirius and XM, and the need for the TTRH contract to be renegotiated, the 50 Season 2 episodes were split into two 25-episode segments.  The segments were aired beginning in 2007 and continued through 2008 and into 2009 as Seasons 2 and 3, with a six-month hiatus between the two seasons. While production work continued up to the show's 2009 finale, the recording of Dylan's commentary was likely completed by late 2008.

Dylan's Involvement

Another argument among TTRH fans is how much involvement Dylan actually had with the show past reading his scripted commentary.

The evidence points to producer Eddie Gorodetsky having a strong influence on TTRH content, including scripting most of Dylan's remarks, supplying much of the music from his own record collection, creating the email and phone call segments and booking the "guest appearances" of the various celebrities, musicians, and comedians who appeared on the show. But it's likely that Dylan also interjected his own choices for the music, as well as speaking his own personal thoughts and opinions.

Various interviews over the years and Chronicles: Volume One confirm Dylan's appreciation for the musicians, genres, and music played on TTRH. Derek Barker's The Songs He Didn't Write catalogs over 50 songs played during the various seasons of TTRH that Dylan has also covered in concert and on record.

It's improbable that anyone but Bob Dylan himself would suggest that he perform an a capella rendition of Take Me Out to the Ball Game, or that he play Blowin' in the Wind on a recorder, both of which he did on episodes of TTRH. Anyone who follows Dylan's rare remarks in concert also knows that he has a weakness for corny old jokes, a regular feature of TTRH. His occasional on-air outbursts on subjects ranging from modern medical care, "commercial affiliations," and country music have all sounded deeply heart-felt and personal.

Perhaps the strongest evidence of Dylan's commitment to Theme Time Radio Hour is the fact that he recorded the narrative for 101 episodes of the show from 2006 through 2008 during a period when he was touring, recording, and involved in numerous other projects.

Q: Which artist(s) had the most airplay on TTRH?

A: At the close of Season 3 (April 15, 2009) Tom Waits and Dinah Washington had tied as "most-played," each with 10 appearances on the turntable over the 100 episodes of TTRH. With the airing of the "Whiskey" episode in 2020, Tom Waits now leads, with 11 appearances on the show. 

Q: What are "deaf poets"?

A: Dylan wasn't fixated on poets with hearing problems in the early days of the show, but instead was using the hip-hop slang term "def," as in "great" or "definitive" during his poetry readings.

According to Wikipedia, "def" originated in New York City in the 1980s and was accepted into the Oxford English Dictionary in 1993. Dylan or Gorodetsky may have taken the "def poet" phrase from the HBO series, Def Poetry Jam, which ran from 2002 through 2007.

Dylan's Theme Time Radio Hour poetry readings were featured throughout the show's run, although the segment was reduced in each consecutive season. Likewise, the"def poet" phrase was gradually phased out in favor of Dylan doing variations on the theme, such as referring to Robert Frost as a "frosty poet."

Def Poetry Trivia

The first def poet reading was from Saint Basil (also known as "Basil of Caesarea" and "Basil the Great") and used in the first episode of the series, "Weather," "Many a man curses the rain that falls upon his head, and knows not that it brings abundance to drive away the hunger."

While Dylan calls Saint Basil a "def poet," the theologian is better-recognized for moral homilies such as the above quote than for poetry. Dylan may have supplied Eddie Gorodetsky with the Saint Basil quote. However, it's more likely that, as with much of the information used in the "Weather" show, Gorodetsky found it through a quick Web search.

The last full def poetry reading of the regular series was Delmore Schwartz's "The Heavy Bear Who Goes With Me" in Season 3's Episode 21 "Sugar & Candy." In keeping with the episode's theme Dylan calls Schwartz a "candy-coated poet" after his reading.

The Flowers episode from Season 1 had the most poetry readings with Dylan quoting four separate poems from authors ranging from Christopher Marlowe to Anon.

William Shakespeare wins hands down as "most quoted" poet on TTRH. "The kid is good," as Bob Dylan says.

Q: What is and where can I find the TTRH poster?

A: Commissioned by producer Eddie Gorodetsky in 2007 from artist/illustrator Jaime Hernandez, each of the poster's scenes illustrate Ellen Barkin's "It's Night/Night Time in the Big City," introductions from Season 1 of TTRH.

The poster was originally available as a free high-resolution download at bobdylan.com from October 2007 through July 2008, but that link was discontinued upon the launch of the redesigned site. Bootleg print versions have occasionally appeared on eBay. An "authorized" low-quality print version of the poster was offered to the first 5,000 people who ordered any one of the three Bootleg Series Volume 8 packages sold through bobdylan.com. A search through Google Images may uncover copies of the original digital file at various sites on the Web.

Q: Was it possible to contact Bob Dylan about TTRH and would you get a response?

A: During the show's original run, XM advertised the email address bobdylan@xmradio.com as the means to contact Dylan and the TTRH team with suggestions and questions. There were some fan reports that their email to that address either went unanswered or generated an auto-reply noting that due to the high volume of mail received, personal responses were impossible.

Email Trivia

Before and during Season 1, XM advertised that "Dylan will read and answer select emails on his show." Most fans assumed that all the listener mail read on the show was was scripted, as several used names of Dylan friends and acquaintances, or were otherwise obviously fake. However, at least one email read on the "Friends and Neighbors" episode came from a real listener, suggesting that there were probably others over the show's 100-episode run.

Q: How can I listen to TTRH on the air?

A: SiriusXM discontinued regular rebroadcasts of TTRH episodes in 2013."Dylan Radio," a fan site, (http://www.dylanradio.com ) streams Dylan music and Dylan-related content including Theme Time Radio Hour episodes and the Dreamtime podcast. Check the site for times.

Until Monday, September 28, 2020, the SiriusXM "Deep Tracks" channel (channel 27) is playing a 24/7 stream of all past Theme Time Radio Hour episodes. As well as on SiriusXM, the "Whiskey" episode is slated to be broadcast on a variety of streaming venues starting on September 25 2020, including Radio Eins in Germany, bobdylan.com, and Spotify.

Q: Are there any commercial releases of Theme Time Radio Hour shows?

A: No. To date no complete TTRH show has been offered as a standalone commercial offering. However, there are a dozen compilations featuring music from the show as well as two promotional CDs of complete TTRH shows.  For a listing, see The Compleat Theme Time Radio Hour Shopping List.

Q: Are there any books about Theme Time Radio Hour?

A:  Not yet. The announced "Theme Time Radio Hour Compendium," a tie-in book originally scheduled for October 2008, was never released and appears to have been placed on indefinite hold. The book's original page on Amazon (see link above), has been edited to read "Bob Dylan Untitled Christmas Book." and is no longer cataloged in any form on its publisher's site.

A 2010 article from "Crain's New York Business" noted that a literary agent was reportedly shopping a "proposed series of books" authored by Dylan, including "a collection of riffs from his Theme Time Radio Hour show on Sirius Satellite Radio."  That collection may be a version of the Compendium, which was advertised using similar language. However a "source close to Dylan," later told the LA Times in 2011 that no deal for any proposed book projects had been closed.


Q: Can I find Theme Time Radio Hour shows for download on the internet?

A:  Currently the best TTRH archive site is the "Theme Time Radio Hour Archive," an unofficial project by one of the show's fans.  Various other TTRH show archives have appeared (and regularly disappear) on the Web. A little judicious searching through Google or Dylan fan sites should identify what's available.

It's unlikely that a complete set of TTRH - 100* shows at the close of Season 3 - will ever be released commercially. The non-commercial efforts to distribute TTRH is likely to be the only complete record that will ever be accessible to researchers, scholars, and fans.

*102 shows as of September 2020.

Q: Where can I find additional information on TTRH?

A: Although incomplete, The Annotated Theme Time Radio Hour is an excellent reference site on TTRH. Lee Abrams's original XM Radio blog is still on-line and includes a lengthy three-part post on the background and creation of TTRH. Vanity Fair published an article on TTRH trivia both in a print version and on line in April 2008. It should be noted much of that article's content appears to have been taken from The Annotated Theme Time Radio Hour site without credit.

Although TTRH has ended, any new news about the show will continue to be found at Expecting Rain, the Dreamtime blog, and DylanTweets a news feed on Twitter run by Dreamtime. Bob Dylan's official web site has also carried news about TTRH.

Expecting Rain offers a TTRH forum, which was renamed to "Picasso's Theme Time Radio Hour " in memory of one of the show's most ardent fans. The archives of RightWing Bob and the Theme Time Radio Hour page on MySpace are also of interest.

Q: Will there be any more episodes of Theme Time Radio Hour?

A: It appeared that Theme Time Radio Hour had ended permanently in 2009 with its 100th episode.  However, in early 2015 Berlin radio station Radio Eins made a surprise announcement that it would air a heretofore unknown episode of TTRH as a special episode of the station's "Friendly Takeover" show. Entitled "Kiss," the hour-long 101st TTRH episode was broadcast on February 11, 2015, with copies of the show appearing almost immediately at various locations around the Web.  The show was rebroadcast on SiriusXM on Valentine's Day, February 14, 2015. Internal evidence suggests that the show was created for Season 3 of TTRH and probably recorded in 2008.  It's unknown why the show was not broadcast until 2015 or how Radio Eins secured it.

In September 2020, SiriusXM announced an all-new two-hour episode of Theme Time "discussing how whiskey has shaped the world — from music to sports and everything in between" in honor of Bourbon Heritage Month and a as a promotional tie-in to Dylan's whiskey enterprise, Heaven’s Door Spirits.

Dylan closed the "Whiskey" show by noting that Theme Time could return again "when you least expect it." One can hope.

***

Dreamtime friend and correspondent Heddy Richter was kind enough to review and edit the TTRH F.A.Q. for spelling, grammar, and consistency. All errors or omissions remain our own.

In Memory of Pierre Ponette ("Picasso From Belgium")

Last updated September 2020

Tuesday, September 08, 2009

Swingin' the Alphabet: The Three Stooges



"And no, I didn't wanna to play it, but I get requests for 'Swinging the Alphabet,' every show. Must be a lot of Larry, Moe, and Cheese fans out there." ~ Eddie Gorodetsky, Saturday Night Hi-Fi Party, 1978

Cheesy, yes, but catchy, too.  If you're one of the multitude who grew up watching the terrible trio on TV, "Swinging the Alphabet" is likely to be one of your clearest memories from a Three Stooges short. The novelty number was sung by the boys in their 19 and 38 film, Violent is the Word for Curly, a parody of the title of a popular film from a few years earlier, Valiant is the Word for Carrie. The version that Eddie G. played on his WERS radio show was probably taken from a 19 and 59 LP on the Coral label,  "The Nonsense Songbook," where it was retitled as "The Alphabet Song."

Although everyone from director Charley Chase to one or all of the Three Stooges was credited with composing "Swinging the Alphabet," it was actually adapted from a song written some 60-odd years earlier by one Septimus Winner under the title, "The Spelling Bee," a discovery not made until 2005 by film historian and Stooges buff, Richard Finegan.

Now let me see what you can do,
And spell for me, Bicki-bi-bo-bu.

CHORUS 1: B, A, Ba, B, E, Be,
B, I, Bicki-bi, B, O, Bo,
Bicki-bi-bo, B, U, Bu,
Bicki-bi-bo-bu. ~ "THE SPELLING BEE" (1875) Humorous Song and Chorus.

Interestingly Winner, a popular 19th century songwriter, also composed "Listen to the Mockingbird," which was used as the theme music for the early Three Stooges shorts, until eventually replaced by "Three Blind Mice." According to Finegan's article, director Charley Chase's maid was fond of singing "The Spelling Bee"'s chorus to his children, and he brought the tune into the studio for the Stooges when they needed a melody to break up the action in Violent is the Word for Curly.

Thursday, August 20, 2009

Episode 62 - Roots of Theme Time #2 - Hi-Fi Party with Eddie Gorodetsky

A few show notes on this one.  I'm trying out new open source scriptwriting software called Celtx, highly recommended to those interested in trying their hand at screenplays, podcasts, and even comic book scripts. The format isn't set up for on-line blog reading, so if you want to follow along, I recommend you download the script - in PDF format - from here. (click to open.  Right-click to download).

The "Hi-Fi Party" with Eddie Gorodetsky excerpts, although claimed as recorded in 1978, are probably from the Winter of 19 and 79.  Eddie mentions several times during the show how exceptionally cold his apartment is, as well as the fact that the WBCN deejays are out on strike.  Other clips are from WBCN, with Eddie Gorodetsky heard variously as "Dr. Claibourne" and in the background during the "Mattress Mishegas" segment.

I miss WBCN.


You can see the young Eddie G., still with most his hair, circa late `70s, in Charles Laquidara's parody of an Italian art film, "Nino, Nino, Nino" on YouTube.  Look for the guy break-dancing during the Big Italian Dinner as well as various other scenes in the film.

Have fun.  Enjoy the show.

Direct link to mp3.

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HI-FI PARTY WITH EDDIE GORODETSKY
(A RADIO PLAY)


By

FRED BALS

A TRUE STORY



Creative Commons Attribution Fred Bals 3.0
The Dreamtime blog and podcast
http://www.dreamtimepodcast.com

dreamtimepodcast@gmail.com


HI-FI PARTY WITH EDDIE GORODETSKY

Scene: 1

INTRO

VOICE: EDDIE GORODETSKY PROMO

JAIL BAIT JONES
It’s the Dreamtime podcast with your host, Fred Bals

MUSIC: TURN YOUR RADIO ON

FRED
Lights off, windows open to the summer night, half-asleep on the lounge chair, big old Maine Coon cat stretched across my body, radio on.

Radio on, and sometimes I dream.

I dream of a woman in red smoking a cigarette. She stands on a balcony and watches the city spread below her. Soon she’ll walk into the lobby of the Abernathy Building, take the elevator up to the 8th floor and go into Studio B.

Just close your eyes and you can see it as well as I can. Unchanged since the ‘50s, mike dangling down from the ceiling, peeling walls of sound insulation, two turntables framing the empty deejay’s chair.

Tex Carbone behind the glass, working at his sound panel. The lady in red in a separate sound booth, leaning into the microphone, huskily whispering out...

VOICE: ELLEN BARKIN
It’s Night in the Big City.

FRED
No, I’m wrong. That’s not what I see. That’s not what I hear.

SOUND: "BACK WHERE I COME FROM"

FRED
There’s a banty rooster of a young man who has come up to take the mike instead. He adjusts his guitar and begins playing "Dusty Ol' Dust."

As he launches into the refrain of "So long, it’s been good to know yah," an announcer steps up to a second microphone and reads...

VOICE: ANNOUNCER

"You’ve been listening to ’Back Where I Come From.’ Tonight’s theme has been "The Weather," with Woody Guthrie....

FRED
"Weather? But, that song was from the ’Goodbye’ show, wasn’t it?" I ask the oblivious cat.

He stares at me, examines a paw, begins to clean himself. The voice on the radio fades off, static crackling through the air again before Dylan’s cornhusker murmur finally resumes, talking about love and marriage.

VOICE: DYLAN FROM THE "WEDDING" EPISODE

VOICE: EDDIE GORODETSKY

EDDIE G.

(SMART-ASS EDDIE G.)
Ah, why a man would want to have one wife is a mystery.

Why he’d want to have two wives is a bigga mystery.

(DYLAN’S VOICE DISSOLVES INTO LAUGHTER)

FRED
"What?" I say, sitting up, cat bouncing off my lap to the floor. "Who?"

The voice continues on, getting more and more maniac.

VOICE: EDDIE GORODETSKY

EDDIE G.
This is going out to all our friends in Framingham, or as we like to say, Mahginmraf!

(THE DEEJAY’S VOICE SEEMS TO HAVE FORSAKEN ANY NEED FOR OXYGEN, WORDS TUMBLING OUT FASTER AND FASTER IN AN AVALANCHE OF ALLITERATION. )

VOICE: EDDIE GORODETSKY

EDDIE G.
Don’t forget to listen to Juke Box Saturday Night coming up at 11 o’clock, an eclectic pastiche of various musical idioms spanning the ‘20s, ‘30s, ‘40s, ‘50s, ‘60s, and yes-sir-ree-bob, even the ‘70s. So stay tuned to Juke Box Saturday Night - 11 o’clock till 2 in the morning right here on the Rockin’ 88, WERS!

EDDIE G. (cont’d)
In the meantime, I’m your audio aesthetician, Eddie Gorodetsky, rockin’ and rollin’, boppin’ and strollin’, making it outta sight here on a Saturday night.

Won’t you stick around? 267-7281! Make a dedication! And I gotta tell you, ’Somewhere Over the Rainbow’ was for Barbara and Ben Brown, and Lee and... Oh My God, I can’t... Lee and Flora and Grady and his girl... who are there listening to The Hi-Fi Party tonight!

And if you want to be a member of the radio parade of dedications, 267-7281, and we had a request for some Earl King!

MUSIC: EARL KING: "DARLING HONEY ANGEL CHILD"

SCENE: 2

("DARLING HONEY ANGEL CHILD" FADES OUT AS FRED’S VOICE COMES BACK ON)

FRED
Thirty-one years ago he didn’t sound at all like Pierre Mancini.

Boston has always been a good town for radio. Maybe not quite as good as New Orleans or San Francisco, but Boston does okay.

SOUND: WBCN AIRCHECK

FRED
WBCN - the commercial rock-n’roll giant that Eddie Gorodetsky also worked at for a short time - is gone now. But people who loved the Big Mattress, the Cosmic Muffin, Charles Laquidara and his alter-ego, Dwayne Ingalls Glasscock, would tell you that the real ’BCN was gone a long time ago.

WERS-FM, now in its 60th year of operation, was the first non-commercial radio station established in New England, and still serves as a live training ground for students at Boston’s Emerson College. One of those students during the late ‘70s was one Eddie Gorodetsky\ from Rhode Island.

In 1978 Eddie was broadcasting The Hi-Fi Party on Saturday nights from 7 to 11, later moving the show over to Sundays in 1979, and occasionally sat in as deejay on "Juke Box Saturday Night," the show we just heard Eddie promo.

FRED (cont’d)
Eddie was also working behind the counter at a varietyof record stores, including Cheap Thrills, a long-gone Boston record chain of the ‘60s and ’70s, at theirBoylston Street store across from the Prudential Center, home of WBCN.

SOUND: WNCN MATTRESS MISHEGAS
(LAQUIDARA AND SIEGAL WITH EDDIE GORODETSKY)

FRED
Maybe WBCN super-deejay Charles Laquidara walked into Cheap Thrills one day and struck up a conversation with the fast-talkin’ kid behind the counter. Maybe Eddie scammed his way into ’BCN. At the time it wouldn’t have been too hard, as the Rock of Boston was constantly attracting fresh young meat willing to sleep on studio couches and work for next to nothing as long as they could say they were working at ’BCN.

VOICE: DWAYNE AND DR. CLAIBOURNE

FRED
One way or the other, Eddie picked up a gig at ’BCN, writing sketches and jokes, and doing the occasional on-air turn, sometimes playing the frenetic Dwayne Glasscock’s physician, Doctor Claibourne. Dwayne returned the favor in his own fashion, recording a few promos for Eddie’s Saturday Night Hi-Fi Party, although he did keep referring to college station WERS as "bush radio."

VOICE: DWAYNE GLASSCOCK PROMO

FRED
From all reports, Eddie cut a dapper figure in thosedays, reportedly, "dressed to the nines in a zoot suit and carrying a metal suitcase full of 45s and vintage blues albums" wherever he went. He was reputed to be a pretty snazzy, jitter-buggin’ fool, too.

VOICE: EDDIE CLIP WITH MENTION OF THE SPEAKEASY

FRED
Dian Shonk, then a waitress at the Cambridge watering hole recalls Eddie on the Speakeasy dance floor,

"...swinging a lovely young girl in a flowing skirt. I turned around with a tray full of empties to see him do a very fancy move where she slid on the floor between his legs and then was [supposed to] shoot back up and continue dancing. Well [Eddie] stepped on her skirt and when she shot back up the skirt stayed on the floor! ... a moment etched into my mind forever."

SOUND: "THANK YOU" CLIP

FRED
Between the zoot suitin’ jitter-buggin’, deejaying, store clerking, record collecting, acting in Charles Laquidara’s awful parody of an Italian art movie, "Nino, Nino, Nino," and generally being a Man Around Beantown, it’s small wonder that Eddie reportedly dropped out of Emerson to pursue a full-time career in show biz.

Given that his path would lead from "Saturday Night Live," to David Letterman, to "Dharma and Greg" and "Two-and-a-Half Men," and eventually to "Theme Time Radio Hour," "who could say he made the wrong decision?

Certainly not me.

But we’re not here to praise Eddie G., nor even to bury him. We’re here to take a closer look at another source of that tree with many roots that was Theme Time Radio Hour... its ancestor from the 1970s, Saturday Night Hi-Fi Party with Eddie Gorodetsky.

SOUND: HI-FI PARTY EXCERPT

SCENE: 3

SOUND: "4-H" CLIP

FRED
Mr. D. never did a promo for the 4-H Club as far as I know, but after listening to a few Hi-Fi Parties, you can sure tell a lot of the music for Theme Time Radio Hour was coming from a certain producer’s record collection.

"Zindy Lou," that doo-wopper with the great hook? Our Host played it on the "Women’s Names" show. Thirty years earlier Eddie G. was spinning The Chimes on a February Saturday night.

JB Lenoir’s "Mama, Talk To Your Daughter"? On the "Mothers" episode. And yep, on that episode of "Hi-Fi Party," too.
Howza ’bout "A Man’s Best Friend is His Bed?" Do I need to say it?

Artists like Junior Wells, Buddy and Ella Johnson, Jimmy Rushing?

An obsession with mentioning record labels?

A name-check of Syd Nathan, fast-talkin’ owner of King Records?

A taste for corny old jokes? We already heard Eddie G. crack wise on the subject of marriage. Later in the
same show he’d dryly point out that you’d never go hungry in the Gobi Desert, "because of the sand which
is there."

We pause for your groan.

SOUND: "POPEYE PLAYED FOR A SUCKER"

FRED
If you’re a fan of Theme Time Radio Hour, sooner or later you’ll ask the question...

"How much involvement did Bob Dylan actually have with the show?"

The answer is, "Probably not as much as the Sirius XM publicity machine would like you to think that he did..."

VOICE: SEINFELD CLIP

FRED
"... not that there’s anything wrong with that."

And there’s not.

While Mr. D. probably wasn’t scribbling out playlists or hunting through his record collection for "A Man’s Best Friend Is His Bed," the bottom line is that he still did record the commentary for 100 Theme Time Radio Hours.

At an average 20 minutes of talk for a Theme Time show, that’s well over 30 hours of narrative that Bob Dylan had to record, not even counting the time needed to do retakes. And this is a man who was also on tour for most of the show’s run, recorded at least one album, was painting and working on the second volume of Chronicles and - I hope - on The Hank Williams Project - and God knows what else.

The amazing thing about Theme Time Radio Hour is not that Bob Dylan did it, but that it got done at all.

And without Eddie Gorodetsky, it wouldn’t have gotten done.

FRED (cont’d)
So, let’s raise our glasses and look 30 years back to the fast-talkin’ young deejay of college radio station WERS-FM, host of "The Hi-Fi Party" who was at the start of a journey that would eventually lead to Theme Time Radio Hour.

SOUND: "THANK YOU" CLIP

SOUND: WERS SIGN-OFF

MUSIC: CLOSING THEME

***

You've been listening to the Dreamtime podcast – occasional commentary on Bob Dylan's Theme Time Radio Hour. Dreamtime is researched and written by Fred Bals and is a Not Associated With production. As the name says, we're not associated with XM Radio, Bob Dylan, or much of anything else.

Some of the music on Dreamtime is provided via the Podsafe Music Network. Check it out at music.podshow.com.

Remember that the Dreamtime team loves to get email. You can write us at dreamtimepodcast@gmail.com

The Dreamtime top cats are Curly Lasagna and Shaggy Bear. Our announcers are the notorious honky-tonkin' sisters, Jailbait and Joyride.

Until next time, dream well.

Visit the Dreamtime Store 

Tuesday, April 21, 2009

Stop Me If You've Heard This One Before...

If you're still trying to get the "Big Orange Head" joke that Our Host told in the "Goodbye" show, don't strain the brain, bubies.

Go take a look at this post over at Gordon Bressack's My Mind and Welcome To It blog, which relates the joke as told by a certain character whose name will not be unfamiliar to the Theme Time Radio Hour regular...
I first heard this joke sitting around a table in an Italian restaurant in Studio City with several people all in the comedy business including Maurice La Marche (impressionist, voice of The Brain among many others), Billy West (voice of Stimpy and numerous others), John DiMaggio (most well known as the voice of Bender on Futurama) and Eddie Gorodetsky (well-known and prodigious comedy/sit com writer). Eddie told the joke and we all fell off our chairs laughing.
Be sure to read the comments, which are as interesting - if you're interested in thinking about how comedy works, that is - as Bresseck's post itself. 

Bresseck made the post just about a month ago, making you wonder when Eddie G. told him the joke.  Recently?  Was it on his mind because of the "Goodbye" show?

As another of the commenters notes, like all jokes, Big Orange Head has a multitude of variations, "no two joke-tellers tell a joke exactly the same way."  Here's a video of the Big Orange Head joke, updated for the digital age.

Thanks to "zinzoe" over at the Expecting Rain forums for the lead.

Sunday, May 04, 2008

Eddie & Coco and News on Season 3

A very interesting email from Dreamtime listener, Richard...

"So I was at Amoeba Records in Hollywood last Sunday and was thumbing through the Porter Wagoner section to see if they had the new Bear Family 3 CD set of his concept albums. Guy next to me sees what I'm doing and asks if I'm looking for the Bear Family set too.

I turn to tell him I am and its Eddie G (I recognized him from the DVD with the Ricky Jay Plays Poker set). I ask him if he's Eddie G, tell him how I know him and we start talking. Very nice guy.

He introduces me to his wife, Coco [Shinomiya]. He asks me what I'm buying today (Carlene Carter and Jim Lauderdale) and shows me his stash for the day (Carlene Carter, some blues comps, some Tex-Mex, etc) .

Also tells me that he just spoke to Elvis Costello yesterday. Carlene opened for E.C. at a show in Nashville and put on, according to Elvis, a dynamite set. I tell him how much I like the Dylan show. He tells me that he's very proud of that show and that they're working now on shows for the fall. We didn't get into specifics but he says he thinks the third season will be the best yet..."
A little research indicated that Coco, who gets name-checked on the closing credits of TTRH, is indeed married to Eddie G. A "Coco Grimes Gorodetsky" wife to an "Eddie Gorodetsky" was a character in an episode of Six Feet Under, written by Scott Buck, who's a good friend of Eddie G.

So, it also does look we're waiting till the Fall for the next round of Theme Time. Scribble, scribble, scribble, please, Mr. G.


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Friday, January 11, 2008

Authorized Theme Time Radio Compilation Coming in March

UPDATED January 15, 2008 - Ace has now released a full track list for the compilation and has a link to the set on the Amazon UK Web site. It doesn't appear that Dylan's commentary is included.

***

Ace Records has announced that it will be releasing the first authorized CD compilation of TTRH on March 5, 2008. Grandpa Jones' Turn Your Radio On (featured on the Radio episode) will open the collection. Ace's announcement is below:

Ace are [sic] excited to announce the release of the authorised CD of music from award-winning XM music show “Theme Time Radio Hour with your host Bob Dylan” on March 5th 2008.

The compilation, a 2CD 50-track set, produced for reissue by “Theme Time Radio Hour” producer Eddie Gorodetsky and Ace’s own Roger Armstrong is based around the 828 tracks played in the 50 episodes of the first series.

The compilation represents the vast range of music played on the show, with a song list spanning ‘Papa’s On The Housetop’ by Leroy Carr and Scrapper Blackwell recorded in 1930 to Mary Gauthier’s ‘I Drink’ recorded in 2005. Artists as diverse as The White Stripes, Grandpa Jones, Jerry Butler, The Clash, Memphis Minnie, Bobby Darin, Sister Rosetta Tharpe, The Modern Lovers, Billie Holiday, George Jones, Bo Diddley, Alton Ellis, Louis Jordan, Santiago Jimenez, James Carr, Gerraint Watkins, Slim Gaillard, Otis Rush and many others sit happily side by side on this highly eclectic collection.

The package, designed by Phil Smee at Waldo’s Design and Dream Emporium, includes a fully illustrated 40-page book packed full of rare photographs and memorabilia alongside detailed notes on each track, by experts in each genre.

Bob Dylan's "Theme Time Radio Hour" debuted to popular and critical acclaim on XM Satellite Radio in May 2006, and was subsequently broadcast on both BBC Radio 2 and BBC 6 Music. The Times described the show as “the most consistently entertaining hour on radio”, while The Observer noted, “The triumph of Dylan's show is that it really is unlike anything else you could hear, and as such is priceless." Among the show’s accomplishments of the past year, the National Baseball Hall of Fame and Museum added the "baseball" episode of "Theme Time Radio Hour" to its archives in June 2006.

Bob Dylan is one of the world's most popular and acclaimed songwriters, musicians and performers, having sold over 100 million albums and performed thousands of shows around the world in a career spanning five decades. His newest album, “Modern Times”, has already sold more than two million copies, reaching the number one slot in 13 countries. The first volume of his memoirs, Chronicles, was one of the most acclaimed and best-selling non-fiction works of 2004, and 2005’s No Direction Home film, directed by Martin Scorsese, captivated audiences worldwide as it documented Dylan's early career and rise to fame.
The announcement leaves the question open as to whether Dylan's original commentary on the tracks will be included. Eddie Gorodetsky's involvement is a good sign, though. Ace is a British label, and there's also no word as to whether the compilation will be available in the U.S.

Leave your radio on, though, and I'll provide updates as I find them.

Thursday, October 25, 2007

New Theme Time Radio Hour Poster



via The Expecting Rain TTRH Forum and BoingBoing:

"Coop says, "My pal Eddie Gorodetsky is producer of Bob Dylan's amazing XM satellite radio show, 'Theme Time Radio Hour.' Eddie recently commissioned another pal, 'Love & Rockets' co-creator Jaime Hernandez, to create a promotional poster for the show. I've seen this thing in person, and it's insane. Each of the vignettes in the poster is based on the faux-noir voiceover that starts each episode of the show."

Click the image to your left for a large-size view (warning - very large. May take a bit to load). Here's a link to the poster's page at bobdylan.com. There's no announced price, nor is it in the Bob Dylan store (yet).

So, our first "official" look at the the Abernathy and environs. Samson's Diner (note the spelling) is in the next building over. Elmo's is further down the street. Carl's Barbershop is in the Abernathy itself, as it should be. The Abernathy is close to the harbor - dig the battleship in the background.

I'm sure some enterprising TTRH fan will quickly annotate the poster. Who knows? I might do it myself.

Wednesday, October 17, 2007

Episode 43 - Sterling E. Harrison: "E" for Electrifying


After the publication of this column in early October 2007, I received an email from Sterling Harrison's sister, who felt that I wrongly and unfairly implied that Sterling was "working clubs for dollars, change, and tips."

Ms. Harrison, who mentioned she traveled with Sterling from age 15 to the early `80s, pointed out that Sterling regularly performed to packed houses in Richmond and its surrounding counties throughout his career.

As I wrote to Ms. Harrison in my reply,the furthest thing from my mind was any disrespect to Sterling and that if I had given that impression I sincerely apologized.

We never write in a vacuum, and there are real people with real feelings out there reading what we're writing. This column is a way of painting Sterling Harrison's life with a few broad brush strokes. But the thing is that Sterling's life was his life, not my art, and nobody's life can - or should - be reduced to just a few brush strokes. Sterling worked the M&M Soul Food in L.A. He also worked clubs in Richmond, VA. where people had to be turned away from the doors when he performed. As Ruth Harrison wrote, there was so much more to Sterling's life as both a person and entertainer, his love and dedication to his family, and his love for children and his fans. That's worth remembering, too. - fhb.

***



"... a man named Sterling Harrison, who never got his due. He used to sing demos for Holland, Dozier, and Holland, but never had a hit of his own. Before he died, he was singing for dollar tips in a barbecue joint at 82nd and Western.

There is great music happening all over the country. Sometimes you got to seek it out. And if you don't seek it out, it's just going to disappear." Bob Dylan, on Sterling Harrison, TTRH, "Days of the Week"



Listen now with the Dreamtime Player




[A Nickel and a Nail - Sterling Harrison]

That was Sterling Harrison with A Nickel and a Nail, from his 2007 CD, South of the Snooty Fox. A CD co-produced incidentally by Theme Time Radio Hour producer Eddie Gorodetsky together with the saxophonist from Los Lobos, Steve Berlin.

The Snooty Fox is a real place, a combination motor inn and bar located near 41st and Western in old South Central L.A. where Harrison sometimes performed. South of the Snooty Fox takes you even deeper into the heart of South Central and eventually to M&M Soul Food at Manchester and Western, which was Harrison's home base towards the end of his career and is the "barbecue joint" that Dylan is referring to, even though he gets the address slightly wrong.

Harrison is something of a poster child for all the artists who never get that one break, and whose luck, if it didn't exactly run bad, never ran all that well either. But, maybe the difference between Sterling Harrison and me is that he probably would have disagreed with that assessment. Sterling Harrison thought he was a lucky man, because he did exactly what he loved to do for over 40 years.

“I’m an entertainer,” advised Harrison in a 2001 interview, “so I entertain — sing, dance, impressions, comedy. Whatever it takes to entertain these people, I’m gonna do.” Outside of soul and rhythm and blues, Harrison entertained his audience with jokes so blue they would have made Redd Foxx blush, and impressions of celebrities ranging from Moms Mabley, Al Green and Ray Charles to Ed Sullivan, Paul Lynde and Richard Nixon. And all the while he milked the room for those dollar tips Dylan refers to, giving the crowd their money's worth.

Born in 19 and 41, Harrison was a proud son of Richmond, Virginia, where he would return to die 64 years later.
"All ll I wanted to do from age eight was be a singer," Harrison said. According to family legend, Harrison got his start when a local promoter heard the boy singing The Lord's Prayer on his front lawn and booked him to open for various acts - Bobby ‘Blue’ Bland, Sam Cooke, Wilson Pickett among them - as they came through town.

In 1955 or `56, the 15-year-old asked his mother for permission to travel to New York City, where he cut his first single,
The Devil’s Got a Spell on Me, for Vim Records. During the late `50s through the `60s, Sterling was a popular act on the chitlin' circuit, touring from Long Island to Nashville, playing at the Apollo, working the same bills as James Brown, Sam Cooke, and Otis Redding. Club owner Bill Jones started calling Harrison "Sterling E." around this time, the "E" for "electrifying," because Harrison had so much on-stage energy.

But as he would throughout all of his career, Harrison had much more success with live performances than he would recording. During the same period he cut two more singles - both of which disappeared without a trace - and would even try capitalizing on the `60s craze for novelty dances. Among the more than 400 new dance steps introduced in the `60s - numbers such as the Batusi, The Freddie, The Dog and The Funky Broadway - was The Wobble, with Mr. Sterling Harrison as "King of the Wobble."

The Wobble faded into perhaps deserved obscurity, and by 1977 Harrison had landed in L.A. and eventually met up with
the songwriting/production team behind the Four Tops’ and the Supremes’ ’60s hits, Holland-Dozier-Holland, Lamont Dozier and brothers Brian Holland and Edward Holland, Jr. The trio penned a song for Harrison - Roll Her, Skate Her - which was released on the Motown label. According to reports, it was a very good single even with its unlikely title, but it went nowhere, as did an album that Harrison released on Atlantic in 1980.

And for the next 20 years, it was pretty much south of the Snooty Fox for Sterling Harrison, with the occasional trips back home to Richmond and gigs everywhere from Las Vegas to the Virgin Islands. He became M&M Soul Foods house entertainer, churning out soul standards and rhythm and blues, telling dirty jokes, doing a dead-on Moms Mabley, entertaining the Saturday night crowd and collecting his dollar tips. That's where LA deejay, Allen Larman, found him and spread the word about Sterling E. eventually bringing our Eddie G. down to South Central to hear him. Eddie Gorodetsky loved his sound, booked Harrison to play the Dharma & Greg wrap party, and began making plans to cut a Sterling Harrison album to finally bring his sound to the world at large.

South of the Snooty Fox was recorded in 2001, but apparently never attracted any label interest until it was released six years later by Hacktone this August, two years to the exact day after Harrison's death on August 21, 2005. He probably laughed up in heaven about the irony of it all; Sterling Harrison was a good-natured man, happy to have lived his dream.

“I never smoked a cigarette," Sterling Harrison once said. "Never got high, don’t drink nothin’ stronger than cranberry juice... I know you gotta be patient in this business, but it’s just as important to be ready.”

He was always ready.

I could play another track from South of the Snooty Fox, but with only 11 cuts on the album, it's not fair to Harrison's memory I think. I'd rather tell you to go buy the music, which you can find on both Amazon and on iTunes. Personally, I'd go for the CD. It includes an extra track not available through iTunes, Harrison's Funny Life, a 1965 single. Almost all the cuts on Snooty Fox are great - I think Seven Days, which Theme Time played, of course, might be the weakest song on the album. More representative of Harrison's style is A Nickel and a Nail, and there are a couple of standouts: A 7-minute+ version of Bobby Bland's I'll Take Care of You, and a great cover of Tom Waits' The House Where Nobody Lives, which I'm hoping Theme Time will play if they ever do a "Covers" episode.

I'm closing out tonight's Dreamtime with a song played at Sterling Harrison's memorial ceremony. Here's The Original Five Blind Boys with Sending Up My Timber.


Thanks for listening, and we'll be back soon.

Sources: Shining from the South; Sterling Harrison memorial page; Roll with Me, Sterling; Dance Crazes of the `60s

If you want to see Sterling Harrison in all his glory at M&M Soul Food, check out this 9-minute+ clip over at our sister site. The video's quality is extremely poor, but nonetheless gives a taste of what the live Sterling Harrison act was like.

***

You've been listening to the Dreamtime podcast – occasional commentary on Bob Dylan's Theme Time Radio Hour. Dreamtime is researched and written by Fred Bals and is a Not Associated With production. As the name says, we're not associated with XM Radio, Bob Dylan, or much of anything else.


Some of the music on Dreamtime is provided via the Podsafe Music Network. Check it out at music.podshow.com.

Remember that the Dreamtime team loves to get email. You can write us at dreamtimepodcast@gmail.com

The Dreamtime top cats are Curly Lasagna and Shaggy Bear. Our announcers are the notorious honky-tonkin' sisters, Jailbait and Joyride.

Until next time, dream well.

Visit the Dreamtime Store

Sunday, September 30, 2007

Episode 42 - I Was Dancing with My Darlin'





Listen now with the Dreamtime Player




It's a Dreamtime potpourri this time around with some thoughts, talk and music on the big little man Pee Wee King and his songwriting partner, Redd Stewart; the song they composed on a matchbook cover; how Cowboy Copas and Syd Nathan could have bought it for $25; and then a look and listen to Theme Time Radio Hour's resident hillbilly expert, Deke Dickerson. You can tell we have a full plate tonight, so we better get started...

[Dylan on Pee Wee King]

As well as introducing the accordion to country-western music, Pee Wee King brought electric instruments, drums, and horns to the Grand Ol' Opry. And the next time you're admiring Mr. D's sartorial style on stage, you might give a thought to Mr. Pee Wee King of Milwaukee, Wisconsin, who was the first in the Grand Ol' Opry to dress up his band members in tailored Western clothing direct from Nudies of Hollywood.

Nicknamed "Pee Wee" by Gene Autry because he was only 5'6", King was born Julius Frank Anthony Kuczynski (koo-CHIN-skē) in 19 and 14. His father led a polka band, and the young Frank, who used the second of his three given names, became a member of the band, playing both accordion and fiddle. By age 14, King was doing radio appearances, and formed his own band, which played a mix of polka and country-western... putting the accordion to use no matter what the style of music.

In 19 and 36, Pee Wee formed The Golden West Cowboys, which he would lead through a variety of personnel changes for over 30 years. Fiddler Redd Stewart, who would later become Pee Wee's songwriting partner, joined the group the following year, although he would be drafted in 1941 and not come back to the Golden West Cowboys until the end of World War II.

1937 was a big year for The Golden West Cowboys. They were also invited to join the Grand Ol' Opry that same year, an invitation that some of the show's traditionalists might have later regretted. By 19 and 40, Pee Wee was using an amplified guitar on stage, and in 1947 brought drums to the Grand Ol' Opry for the first time in its history.

1947 also brought other changes. After a 10-year run at the Grand Ol' Opry, Pee Wee was ready for something new, and brought the band to Nashville and to television, where "The Pee Wee King Show" ran for another decade. Redd Stewart - who was back with the group by this time - took over lead vocals for the band, and Pee Wee concentrated on business and songwriting.

The Tennessee Waltz

The story goes that Pee Wee and Redd were on the road heading for a gig in Tennessee and riding in the luggage truck so they could work on songs together without distraction. Bill Monroe's Kentucky Waltz began playing on the radio, which inspired one or both of them to start thinking about a similar waltz for the great state of Tennessee. Providentially, the Golden West Cowboys had been using a waltz melody as the band's theme song for several years, a tune that up to then had had no lyrics. Stewart later recalled that he scrawled the first version of Tennessee Waltz on the back of a matchbook cover, although it took the two songwriters over 18 months before they came up with the final lyrics, set to the tune of the band's "No-name Waltz" theme music.

[Tennessee Waltz - Redd Stewart]


The Cowboys of the Golden West, with Redd Stewart on vocals, single of The Tennessee Waltz made the country charts on April 3rd 19 and 48 and peaked at the #3 position. It would stay on the charts for 35 weeks. Cowboy Copas also scored a #3 hit with the song that same year, and Nick Tosches tells a funny story in his 1977 book
Country, about how the Cowboy let the rights for Tennessee Waltz slip through his fingers. Lloyd Copas, better known as Cowboy Copas, was one of the most popular country performers of the later `40s, and was recording for King Records at the time. King Records, as you may remember, O Constant Theme Time Radio Hour Listener, was owned and operated by Syd (Tosches refers to him as "Sid," but my later research indicates Nathan spelled it "Syd.") Nathan, whose frenzied sales exhortations have been played on several Theme Time episodes.

Copas made regular pilgrimages from Cincinnati, home of King Records, down to Nashville to hear - and buy - the latest songs. Syd Nathan purchased the publishing rights for the songs Copas bought, and Copas kept the author rights. Copas came back from one trip, noting to Nathan that he had passed on one song offered to him, because the writers wanted $25 for it, nearly double the normal asking price.

"All it was was a copy of 'Missouri Waltz.'" Copas said.

Intrigued, Syd Nathan replied that maybe they should pick up the song anyway, and fronted Copas an extra ten bucks to get it on his next trip to Nashville. But when Copas returned, he still didn't have the song. "They sold it, huh?" Nathan asked.

"The bastards put the price up to fifty dollars, and I wasn't going to pay that much," Copas replied.

"You done right," Syd Nathan said. "There ain't no song in the world worth fifty dollars."

In 1965, The Tennessee Waltz became the fourth official song of the state of Tennessee.

The Hardest Working Man in Rockabilly

[Dylan on Deke Dickerson] [Deke Dickerson - Broken Heart]

That was Deke Dickerson with Broken Heart, from his latest CD - The Melody. After I got over my funk that I wasn't Theme Time's resident hillbilly expert, I decided to do some research on Mr. Deke Dickerson and, in the course of my studies, ended up emailing Deke, only to find out that he's a pretty nice guy, even if he did take the job I've been angling for these last 42 episodes.


Thirty-nine years of age, Deke is a native of Columbia, Missouri. He formed his first band, Untamed Youth, at age 17. Untamed Youth was a retro surf guitar garage band, whose song
Santa's Gonna Shut 'Em Down was featured on Eddie Gorodetsky's Christmas with Eddie G. compilation CD. Untamed Youth gained a strong rep. in the Midwest, did some national tours, and released four CDs on indie labels. The group broke up after Deke decided to head out to the sun and beaches of L.A. in 1991, where he became a regular on the rockabilly and roots scene. In L.A. Deke teamed up with Dave Stuckey , and the two formed the team of Deke & Dave. The duo focused on an eclectic mix of hillbilly, surf, and rock-n`-roll music, released two CDs, and were a major attraction at rockabilly shows.

By 1997, Deke decided to try a solo career and formed his back-up band, the Ecco-Fonics, which ranges in membership from a stripped-down three to a full-tiltboogin' fivesome. Ecco-Fonics is also the name of Deke's label, which has released music from several hillbilly, country, and rockabilly artists, including Deke himself.

Armed with his custom-made double-neck Mosrite guitar, Deke and the Ecco-Fonics play an average of 225 shows every year throughout the U.S., Europe, Japan, and Australia, including the Irvine, California annual Fourth of July Hootenanny and the Viva Las Vegas rockabilly spectacle in Las Vegas, Nevada. Deke is also an accomplished engineer and studio producer, and writes articles and liner notes for music magazines and CDs.

And, of course, we're hearing Deke now on TTRH. In fact, when you hear guitar music between segments, the chances are that's Deke you're listening to. The first two shows that included Deke's music were Season One's Luck and Laughter episodes, and, as Deke notes on his web site, Season 2 of TTRH will be featuring clips of him speaking on rockabilly and a variety of other subjects.

As I mentioned, in-between bouts of jealousy I emailed Deke, asking him if he'd be interested in providing Dreamtime with a song or two for this episode. And, he was nice enough not only to get back to me, but to offer me essentially anything I wanted from his catalog. So, I can't really hate him, and I encourage you to go check out Deke's web site, -- dekedickerson.com -- links are also at the Dreamtime web site (that's right here) - where you can buy his music as either high-quality MP3 downloads, on CD, or in some instances, even on vinyl.

I recommend Deke's latest, The Melody, which is like turning on the radio and finding everything on the dial is coming from 19 and 55, from rockabilly to country, to doo-wop, and this song coming up, the heavily-Buddy Holly influenced, Tell Me How. This has been Fred Bals with the Dreamtime podcast, and here's Deke Dickerson, the hardest-working man in rockabilly, closing us out with Tell Me How.

Sources and Further Reading/Listening: Pee Wee King bio at CMT.com Redd Stewart page at the Rockabilly Hall of Fame; Country by Nick Tosches (pages 123-124); Deke Dickerson's web site; Deke's MySpace page; Deke's bio from Answers.com; Broken Heart and Tell Me How are from the album The Melody, Deke Dickerson & The Ecco-Fonics, used by permission. Thanks, Deke!

***

You've been listening to the Dreamtime podcast – occasional commentary on Bob Dylan's Theme Time Radio Hour. Dreamtime is researched and written by Fred Bals and is a Not Associated With production. As the name says, we're not associated with XM Radio, Bob Dylan, or much of anything else.


Some of the music on Dreamtime is provided via the Podsafe Music Network. Check it out at music.podshow.com.

Remember that the Dreamtime team loves to get email. You can write us at dreamtimepodcast@gmail.com

The Dreamtime top cats are Curly Lasagna and Shaggy Bear. Our announcers are the notorious honky-tonkin' sisters, Jailbait and Joyride.

Until next time, dream well.

Visit the Dreamtime Store

Saturday, July 21, 2007

South of the Snooty Fox - Produced by Eddie Gorodetsky


via antimusic

(PR) South of the Snooty Fox is the title of the forthcoming album from Sterling Harrison, a veteran soul singer whose approach is the very definition of the term "old school." The album will be released August 21 by HackTone Records, distributed through Rhino/ADA.

South of the Snooty Fox describes an actual geographical location in the inner city as well as serving for a metaphor for the plight of a gifted artist whose professional life was, for the most part, spent out of the spotlight of the mainstream music business. Accordingly, The L.A. Weekly headlined a piece on Harrison "The Best Soul Singer You Never Heard Of."

The album was co-produced by Steve Berlin, long-standing member of Los Lobos and, previously, part of The Blasters line-up. It was co-produced and conceived by Eddie Gorodetsky, the TV writer ("Dharma & Greg," "Two and a Half Men") known for his many forays into music including his role as producer of Bob Dylan's "Theme Time Radio Hour" heard on XM Radio.

Sunday, May 20, 2007

"Love And Theft" promo



A couple of Theme Time connections here. The dealer is Ricky Jay, magician, connoisseur of cons, card trickster, and member of Dylan's posse (who incidentally has a wonderful CD compilation, Ricky Jay Plays Poker, which could have been the play list for a Theme Time show), and the bald player in sunglasses is Eddie Gorodetsky, producer and probable announcer of TTRH.

Interesting poker hand going on here. Eddie G. is holding four 9s, and Mr D. the King through 10 of Hearts. With a significant look at Ricky, Dylan throws away a club, and Ricky deals him the Ace of Hearts, and the Royal Flush nutz. However, a woman enters the room (a commenter at YouTube speculates it's actress Laura Harring), more significant looks are exchanged, and the two women players at the table suddenly attack Dylan. Ricky and Eddie grab for the pot and the mucked cards.

Dylan reseats himself and smiles at Jay, who returns it, so they're apparently happy at the outcome. But why? Who knows? In the art of the con maybe this was the set-up for a larger con.

Saturday, December 09, 2006

Episode 23 - In Search of Eddie G.


[Intro]

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Episode 23 - In Search of Eddie G.

["Here Comes Eddie" - The Eddie G. Singers]

With the Christmas season coming up, it seemed like the right time to take another* look at the producer of "Theme Time," Mr. Eddie Gorodetsky, better known to his fans as "Eddie G."

"Eddie G. has fans?" you say. "And what does he have to do with Christmas?"

Glad you asked.

I mentioned in that earlier show that Eddie was a writer for TV shows such as "Dharma & Greg," "Saturday Day Night Live," the animated Batman series, and various Penn & Teller specials. He also writes liner notes for CDs - which almost appears to be a second career for the man. But Eddie G. may be best known among a small, select circle for his annual holiday mix tapes.

Starting sometime in the early 1980s, Eddie G. began circulating Christmas mix tapes on cassette to family and friends. The tapes were a compilation of weird, strange, forgotten, and sometimes very cool Yule tunes, culled from 45s, albums, and promotional tapes from Gorodetsky's collection; reportedly one of the largest privately-owned Holiday Music collections in the world. By 1999, he was sending out over 1500 copies of his Christmas mix tapes.

In 1990, Columbia released a commercial CD version of Eddie's annual tape mix titled, "Christmas Party with Eddie G." Now out-of-print, but regularly available on eBay. "Christmas Party with Eddie G." could almost be an episode of "Theme Time" with tracks featuring The Skeltons, Louis Prima, Huey "Piano Smith" and the Clowns, Rufus Thomas, and George Jones and Tammy Wynette among others.

One of the very interesting things about "Christmas Party with Eddie G." isn't the music, but the label. I mentioned that Columbia issued it. Actually that isn't quite right. The disc is a "Columbia publication," under the "Strikin' It Rich" label. Strikin' It Rich was created in October of 19 and 90 with the reported goal of "releasing rare and interesting rhythm and blues material."

And who was behind "Strikin' It Rich"? Our Host, Bob Dylan.

"Christmas Party with Eddie G." was apparently the only disc ever released under the Strikin' It Rich imprint. When the disc was re-released in 1998, it came out under the Columbia/Legacy brand.

Not to re-open the debate which broke out about how much involvement Dylan actually has with "Theme Time," but my research makes me increasingly of the opinion that Gorodetsky plays a major role in the creation of "Theme Time," which would make sense, since that's what a "producer" does after all.

I think Dylan is much more than just a voice talent or the name they needed to make "Theme Time" work, although "Theme Time Radio Hour with Your Host, Eddie G." would have had a much smaller audience. A read through Chronicles is pretty clear evidence that many of the "Theme Time" selections are coming directly from Dylan's input. But the man also released a record album in 2006, just finished a major U.S. tour and is now blasting his way through Europe and (I hope) is working on the second volume of Chronicles and God knows what all. It's hard to think he's hauling his record collection along on the bus, or calling home and saying "Will you FedEx out that 78 of 'I Heard The Voice Of A Pork Chop'" for me? I think the last time I saw it was on the kitchen shelf."

I wonder if the scenario at the Abernathy Building when Lee Abrams was finally able to set up a meet with Dylan and "his people" went something like someone on Dylan's side saying, "Y'know, we should get Eddie G. in on this. This is like what we were trying to set up with Strikin' It Rich, but even better, 'cause it's radio! Eddie knows as much about Ol' Weird America music as Bob does, and their tastes run the same."

And now there's some brainstorming every couple of weeks when the next Themes get picked and Eddie and Bob swap playlists and take stuff off and put stuff on until they get something down they like, and the licensing and permission teams of Diane and Debbie go to work and the research team hits Wikipedia for some color and Bob does his commentary and Eddie keeps all the other plates spinning and the balls in the air in order to produce a weekly hour-long radio show.

Who knows? But it's fun to speculate. And I sure wish I had been a fly on the wall when they were setting this up.

So, who is this man, Eddie G. What more do we know about him?

"I started collecting records in high school, in the early 1970's," said Gorodetsky in an interview for CollectorMania!. "I grew up in Providence, Rhode Island, and I remember hearing legends about record stores in Boston that have bins full of these records that you couldn’t find anywhere, and I remember hitchhiking with a couple of friends of mine up to Boston more than once to go to stores in Roxbury and Boston. I ended up living in Boston and working in a half-dozen record stores there."

In the late `70s, Eddie also worked as a columnist for the Boston Rocks music fanzine, and occasionally as DJ for WERS-FM , doing a rhythm and blues show called, "Real Oldies."

A bogus posting, maybe from Eddie G. himself, on a J. Geils Band message board claims that he was also an M.I.T. post-grad, working on a study of earthworms and their reaction to rock and roll, particularly of the J. Geils Band's music. Earthworms aside, Eddie G. was tight with several of the band members, especially Peter Wolf, and would appear on Wolf's solo album "Light's Out" after the breakup of The J. Geils Band. Here's Eddie G. as the radio announcer from Peter Wolf's "Mars Needs Women."

[Mars Needs Women excerpt]

As I noted in my opening, Eddie G. has also worked on several Penn & Teller specials. Penn Jillette calls Eddie, "one of the funniest guys in the world." coming up with up with the idea for a proposed Penn & Teller videogame for people who didn't like violence, "Desert Bus."

The goal of Desert Bus was to drive a bus from Tucson, Arizona to Las Vegas, Nevada, a very long, boring drive, since your bus could not go over 45 miles per hour, and nothing happened. You simply saw desert scenery.


The bus' steering was also slightly out of alignment, meaning the player had to be on the controller at all times. And, the game happened in real time, and couldn't be saved. The only way a player could win was to drive the whole trip in one session. One eight hour plus session.

Rumor had it that if you accomplished the eight-hour trip and made it to Vegas you scored... one point.

"Desert Bus" was never officially released but bootleg copies of the game can still be found on the Web. Another legacy from Mr. G.

If you do a deep enough search, you'll eventually find references to the ubiquitous Eddie everywhere, including cartoonist's Paul Dini's site detailing the adventures of Santa Claus' daughter, Jingle Belle.

"The coolest elf at the North Pole," , says Jingle in her description of Eddie the Music Elf. "[He] has the biggest record collection this side of Greenland. True, a lot of it is Xmas music, but a surprising amount of it does not suck. If you want a great ska version of "Frosty" or a hot zydeco rendition of "Sleigh Ride" Eddie’s the man to see. Each year Eddie descends into his subterranean subarctic Xmas record vault to blend the familiar, the obscure and the just plain weird into a holiday mix."

Writer, musicologist, Mix Master, cartoon character, game inventor, radio producer, Eddie G. seems to have re-invented himself as many times as Bob Dylan himself. Where he'll appear next, no one knows, but whatever he does next, you can bet it will be interesting.

["So Long Eddie" - The Eddie G. Singers]

This had been Fred Bals with the Dreamtime podcast – occasional commentary on Bob Dylan's Theme Time Radio Hour. Dreamtime is a Not Associated With production, and indeed, is not associated with much of anything. Special thanks to the contributors at the Theme Time message boards. Dreamtime's opening segment provided by Jailbait Jones. Background music for this podcast was provided by Kimo Watanabe, via the Podsafe Music Network. Our closing theme is performed by Lounge Affaire, courtesy of Christopher Murphy Studio.

Until next time, dream well.


*Dreamtime's first look at Eddie G. can be found here.

Sources: The J. Geils Band Message Board; A Christmas Yuleblog; Doo-Wop Around the Christmas Tree; Whistle Bait: 25 Rockabilliy Raveups; Interview with Paul Dini; Penn Jillette discusses unreleased game; CollectorMania! - When L.Ps.s Roamed the Earth (Acrobat document)