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Showing posts with label Coco Shinomiya. Show all posts
Showing posts with label Coco Shinomiya. Show all posts

Monday, May 09, 2011

Theme Time Radio Hour F.A.Q.

This F.A.Q. covers the common Theme Time Radio Hour questions I've received while writing Dreamtime. Updated February 2015 to announce the appearance of TTRH's 101st episode, "Kiss," broadcast on February 11, 2015. Updated again September 2020 to include the "Whiskey" episide.

Some of the following information is unverified. When I use qualifiers such as "possibly," "probably" and so on it means I'm making my best guess based on available information. It doesn't necessarily mean I'm right. Feel free to disagree.

Q: Who did the opening "Night in the Big City" introduction?

A: Ellen Barkin. The identity of the narrator was argued among TTRH fans during Season 1 until the Christmas episode was broadcast, when Barkin identified herself.

Except for announcer "Pierre Mancini" and Dylan himself, Barkin was the only continuing voice on TTRH. Barkin introduced every episode in Seasons 1 and 2 except the Season 1 "Halloween" show, which was introduced by comedian Steven Wright.

Barkin's intro was used intermittently during the final season. In some Season 3 shows the intro was dropped altogether. In other episodes, the intro was edited to Barkin's voice simply saying, "This is Theme Time Radio Hour with your host, Bob Dylan." During the final "Goodbye" show of Season 3, which did not use an intro, Barkin was heard midway through the episode announcing to listeners, "This is Ellen Barkin. It's time to go..."


Jazz pianist/singer Diana Krall made the introduction to the  new "Whiskey"-themed episode aired in September 2020.

Q: What is the background music played in the credits?

A: "Top Cat (Underscore)," which can be found on the CD compilations, Tunes from the Toons: The Best of Hanna-Barbera and Hanna-Barbera's Pic-a-Nic Basket of Cartoon Classics . Both compilations are currently out-of-print, but can be purchased from third-party sellers on both Amazon and eBay.

The music is an acoustic version of the theme song from the cartoon Top Cat, composed by Hoyt Curtin.  The more familiar version of the "Top Cat" theme was played as the last song of Season 3's "Cats" episode.

Q: Where can I find playlists of the music played on TTRH?

A: The Wikipedia article on TTRH , "notdarkyet.org ," or the Theme Time Radio Hour Discussion Forum at Expecting Rain.

Q: Who is announcer "Pierre Mancini?"

A: TTRH producer, Eddie Gorodetsky.

Q: Who is Eddie Gorodetsky?

A: Gorodetsky has had a storied career as disc jockey, writer, comedian, and television writer/producer.  In some circles he's probably as well-known as Bob Dylan.

Among music collectors and music historians, Gorodetsky and his collection are legendary. In a 2010 Wall Street Journal interview, Gorodetsky estimated his collection at over 10,000 albums and 140,000 digital files.

For over two decades Gorodetsky distributed annual holiday cassette tapes and later CD compilations of forgotten, arcane and just plain weird Christmas music to friends and acquaintances. Copies of those compilations - which often resemble a TTRH playlist - are exceedingly rare and regularly sell for hundreds of dollars. They can be occasionally found on eBay, especially around the holiday season.

It's likely that their common interest in music is how he and Bob Dylan first met. Gorodetsky, a Rhode Island native and a one-time Boston deejay, is a member of the so-called "Boston Mafia" circle of Dylan friends and acquaintances, which includes Peter Wolf and Peter Guralnick.  He may have been introduced to Dylan through one of those people.  Gorodetsky is reportedly a close friend of another musician who values his privacy - Tom Waits - probably one of the reasons that Waits made regular "guest appearances" on Theme Time Radio Hour and, with Dinah Washington, became the show's "most-played artist" by the close of Season 3.

One commercial Eddie Gorodetsky Christmas compilation, Christmas Party with Eddie G was released, the only issue from the Strikin' It Rich label, owned by Bob Dylan.

The 1990 compilation, later re-issued in 1996, is in many ways a precursor of what would become the idea for TTRH. The press release announcing the formation of Strikin' It Rich stated that it would be, "releasing rare and interesting rhythm and blues material," presumably much of it originating from Gorodetsky's massive record collection, and probably with the idea that the label's releases would be curated by Gorodetsky and Dylan himself. Strikin' It Rich's goal of "releasing rare and interesting rhythm and blues material," fizzled out after Christmas Party with Eddie G. and would remain nascent for a decade before being revived for the genesis of Theme Time Radio Hour.

Before TTRH, Gorodetsky's connection to Dylan was best-known through the television series, Dharma & Greg, where Gorodetsky was a writer/producer and arranged for a Dylan cameo appearance on the show. Gorodetsky has also appeared in the movie Masked and Anonymous and in the Tweedle Dum & Tweedle Dee music video.

Q: What are Big Red Tree and Grey Water Park Productions?

A: Grey Water Park is Bob Dylan's production company, used to produce and finance various Dylan-related media projects, including TTRH. Big Red Tree is Eddie Gorodetsky's production company, filling a similar role for him as GWPP does for Dylan.

Q: Who are the various people named in the Season 1-3 credits?

A: Many of the research/production team named are long-time employees of Bob Dylan, or more accurately, of Grey Water Park Productions. Many of the other people named are - or were - employees of XM Radio.

The "associate producer" of Season 3 was one "Nina Fitzgerald," also credited as "Nina Washington," replacing Season 2's "Ben Rollins," who himself had replaced Season 1's "Sonny Webster." The three pseudonymous associate producers giving a nod to jazz giants was actually just one person who prefers, as the saying goes, to remain anonymous.

Jim McBean, who is credited with "production assistance," was the XM Radio vice president of production and an "audio animator" whose staff developed the TTRH promotional announcements as well as supplying some of the vintage radio airchecks used on the show. You can hear McBean's voice in the promotions  as well as the "Sponsored by Cadillac" intro used throughout most of Season 2. McBean left Sirius XM in 2008 and formed "Music Fog," a site covering Americana music, with several other partners.

Randy Ezratty, who was the engineer who recorded Dylan's 1995 MTV "Unplugged" album, reportedly introduced Lee Abrams to Dylan's business people and helped to facilitate the show's production process. Ezratty's mobile recording company - Effanel Music - was purchased by XM Radio in 2006, and Ezratty became an executive at XM. Engineer and editor Rob Macomber, another member of the Effanel team, also joined XM Radio at that time.

Out of all the XM Radio personnel associated with Theme Time Radio Hour, Rob Macomber was the person who worked most closely with the Theme Time team.  Among other responsibilities, Macomber was part of the composite "studio engineer, 'Tex' Carbone," together with sound editor, Damian Rodriguez and the anonymous associate producer. 

Coco Shinomiya is a respected graphic designer and art director, a two-time Grammy nominee, and incidentally, Eddie Gorodetsky's wife. Shinomiya has worked on many Bob Dylan-related projects, and designed the Theme Time Radio Hour iconic logo.

Lee Abrams was the Chief Creative Officer of XM Radio, and the prime mover in bringing Dylan to satellite radio. He left the company in 2008.

The identity of Continuity Coordinator, "Eeeps" Martin is unknown, as is the correct spelling of his/her nickname.

Q: Is the Abernathy Building real?

A: The Abernathy Building and surrounding environs (Studio B, Samson's Diner, Elmo's Bar & Grill, Carl's Barber Shop) exist only in the theater of the mind.

Q: How did TTRH start? Where is it recorded? How is it produced?

Creation

Then-Chief Creative Officer Lee Abrams wrote that in 2005 he had pitched Dylan's offices on the idea of Dylan doing something for XM Radio. A "Bob Dylan Channel" was discussed, but the idea was discarded. In ongoing talks the concept of a weekly radio show evolved, and a deal was signed in late December 2005. Abrams went on to write that the premiere show was originally scheduled for a February 2006 release. The first press release about the show names March as the start date, but the premiere was eventually pushed out to May to accommodate Dylan's schedule.

Production

The mechanics of TTRH production were a closely-held secret, due to a desire to preserve the Dylan mystique as well as the listener's "willing suspension of disbelief" that TTRH was a vintage radio show, with Your Host Bob Dylan broadcasting live from Studio B of the Abernathy Building.

In reality, Dylan's narrative was recorded separately from the other show elements and later mixed in, a common technique in modern radio called "voice tracking." Dylan used a mobile recording set-up to lay down his narrative tracks while on tour or at other locations. Final editing and production sessions were conducted in New York City and Washington, D.C.

Most non-musical show elements, such as the celebrity segments and the caller side of the staged phone calls were recorded in Los Angeles, home base of Eddie Gorodetsky, or in New York City, home of Dylan's Grey Water Park Productions.

Music for the various episodes were probably supplied by all the members of the TTRH team, most notably by Eddie Gorodetsky. A 2010 Wall Street Journal interview with him noted that "... much of the material for the 100 [TTRH] episodes was culled from Mr. Gorodetsky's own record collection" and it's indicative that during the interview and in the Eddie G's Holiday List sidebar, Gorodetsky names a half-dozen favorites that were aired on various episodes of TTRH.

XM Radio representatives noted in interviews that they received the shows in completed, final format, but occasionally replaced some music tracks with versions from the XM music library either better recorded or better suited for satellite transmission.

Recording vs. Air Dates

One hotly-debated topic among TTRH fans was how far in advance the shows were recorded prior to airing. XM personnel have noted in interviews that most Season 1 shows were usually delivered two weeks or less prior to airing. Other evidence, such as Dylan's remark during the "Number One" episode on Ike Turner's death shortly after that event confirms that some shows were still in production as little as two weeks prior to airing.

In an interview conducted in April 2009, in fact just a week before the broadcast of TTRH's final episode, Bob Dylan stated that he "had stopped doing those shows a while ago." Other evidence also suggests that Dylan's direct involvement with TTRH had ended sometime in  2008.

There is strong circumstantial evidence that Seasons 2 and 3 were originally planned as one Season 2 50-episode block of shows intended to run from 2007 through 2008, similar to Season 1. Likely due to Lee Abrams leaving the company, the then-pending merger of Sirius and XM, and the need for the TTRH contract to be renegotiated, the 50 Season 2 episodes were split into two 25-episode segments.  The segments were aired beginning in 2007 and continued through 2008 and into 2009 as Seasons 2 and 3, with a six-month hiatus between the two seasons. While production work continued up to the show's 2009 finale, the recording of Dylan's commentary was likely completed by late 2008.

Dylan's Involvement

Another argument among TTRH fans is how much involvement Dylan actually had with the show past reading his scripted commentary.

The evidence points to producer Eddie Gorodetsky having a strong influence on TTRH content, including scripting most of Dylan's remarks, supplying much of the music from his own record collection, creating the email and phone call segments and booking the "guest appearances" of the various celebrities, musicians, and comedians who appeared on the show. But it's likely that Dylan also interjected his own choices for the music, as well as speaking his own personal thoughts and opinions.

Various interviews over the years and Chronicles: Volume One confirm Dylan's appreciation for the musicians, genres, and music played on TTRH. Derek Barker's The Songs He Didn't Write catalogs over 50 songs played during the various seasons of TTRH that Dylan has also covered in concert and on record.

It's improbable that anyone but Bob Dylan himself would suggest that he perform an a capella rendition of Take Me Out to the Ball Game, or that he play Blowin' in the Wind on a recorder, both of which he did on episodes of TTRH. Anyone who follows Dylan's rare remarks in concert also knows that he has a weakness for corny old jokes, a regular feature of TTRH. His occasional on-air outbursts on subjects ranging from modern medical care, "commercial affiliations," and country music have all sounded deeply heart-felt and personal.

Perhaps the strongest evidence of Dylan's commitment to Theme Time Radio Hour is the fact that he recorded the narrative for 101 episodes of the show from 2006 through 2008 during a period when he was touring, recording, and involved in numerous other projects.

Q: Which artist(s) had the most airplay on TTRH?

A: At the close of Season 3 (April 15, 2009) Tom Waits and Dinah Washington had tied as "most-played," each with 10 appearances on the turntable over the 100 episodes of TTRH. With the airing of the "Whiskey" episode in 2020, Tom Waits now leads, with 11 appearances on the show. 

Q: What are "deaf poets"?

A: Dylan wasn't fixated on poets with hearing problems in the early days of the show, but instead was using the hip-hop slang term "def," as in "great" or "definitive" during his poetry readings.

According to Wikipedia, "def" originated in New York City in the 1980s and was accepted into the Oxford English Dictionary in 1993. Dylan or Gorodetsky may have taken the "def poet" phrase from the HBO series, Def Poetry Jam, which ran from 2002 through 2007.

Dylan's Theme Time Radio Hour poetry readings were featured throughout the show's run, although the segment was reduced in each consecutive season. Likewise, the"def poet" phrase was gradually phased out in favor of Dylan doing variations on the theme, such as referring to Robert Frost as a "frosty poet."

Def Poetry Trivia

The first def poet reading was from Saint Basil (also known as "Basil of Caesarea" and "Basil the Great") and used in the first episode of the series, "Weather," "Many a man curses the rain that falls upon his head, and knows not that it brings abundance to drive away the hunger."

While Dylan calls Saint Basil a "def poet," the theologian is better-recognized for moral homilies such as the above quote than for poetry. Dylan may have supplied Eddie Gorodetsky with the Saint Basil quote. However, it's more likely that, as with much of the information used in the "Weather" show, Gorodetsky found it through a quick Web search.

The last full def poetry reading of the regular series was Delmore Schwartz's "The Heavy Bear Who Goes With Me" in Season 3's Episode 21 "Sugar & Candy." In keeping with the episode's theme Dylan calls Schwartz a "candy-coated poet" after his reading.

The Flowers episode from Season 1 had the most poetry readings with Dylan quoting four separate poems from authors ranging from Christopher Marlowe to Anon.

William Shakespeare wins hands down as "most quoted" poet on TTRH. "The kid is good," as Bob Dylan says.

Q: What is and where can I find the TTRH poster?

A: Commissioned by producer Eddie Gorodetsky in 2007 from artist/illustrator Jaime Hernandez, each of the poster's scenes illustrate Ellen Barkin's "It's Night/Night Time in the Big City," introductions from Season 1 of TTRH.

The poster was originally available as a free high-resolution download at bobdylan.com from October 2007 through July 2008, but that link was discontinued upon the launch of the redesigned site. Bootleg print versions have occasionally appeared on eBay. An "authorized" low-quality print version of the poster was offered to the first 5,000 people who ordered any one of the three Bootleg Series Volume 8 packages sold through bobdylan.com. A search through Google Images may uncover copies of the original digital file at various sites on the Web.

Q: Was it possible to contact Bob Dylan about TTRH and would you get a response?

A: During the show's original run, XM advertised the email address bobdylan@xmradio.com as the means to contact Dylan and the TTRH team with suggestions and questions. There were some fan reports that their email to that address either went unanswered or generated an auto-reply noting that due to the high volume of mail received, personal responses were impossible.

Email Trivia

Before and during Season 1, XM advertised that "Dylan will read and answer select emails on his show." Most fans assumed that all the listener mail read on the show was was scripted, as several used names of Dylan friends and acquaintances, or were otherwise obviously fake. However, at least one email read on the "Friends and Neighbors" episode came from a real listener, suggesting that there were probably others over the show's 100-episode run.

Q: How can I listen to TTRH on the air?

A: SiriusXM discontinued regular rebroadcasts of TTRH episodes in 2013."Dylan Radio," a fan site, (http://www.dylanradio.com ) streams Dylan music and Dylan-related content including Theme Time Radio Hour episodes and the Dreamtime podcast. Check the site for times.

Until Monday, September 28, 2020, the SiriusXM "Deep Tracks" channel (channel 27) is playing a 24/7 stream of all past Theme Time Radio Hour episodes. As well as on SiriusXM, the "Whiskey" episode is slated to be broadcast on a variety of streaming venues starting on September 25 2020, including Radio Eins in Germany, bobdylan.com, and Spotify.

Q: Are there any commercial releases of Theme Time Radio Hour shows?

A: No. To date no complete TTRH show has been offered as a standalone commercial offering. However, there are a dozen compilations featuring music from the show as well as two promotional CDs of complete TTRH shows.  For a listing, see The Compleat Theme Time Radio Hour Shopping List.

Q: Are there any books about Theme Time Radio Hour?

A:  Not yet. The announced "Theme Time Radio Hour Compendium," a tie-in book originally scheduled for October 2008, was never released and appears to have been placed on indefinite hold. The book's original page on Amazon (see link above), has been edited to read "Bob Dylan Untitled Christmas Book." and is no longer cataloged in any form on its publisher's site.

A 2010 article from "Crain's New York Business" noted that a literary agent was reportedly shopping a "proposed series of books" authored by Dylan, including "a collection of riffs from his Theme Time Radio Hour show on Sirius Satellite Radio."  That collection may be a version of the Compendium, which was advertised using similar language. However a "source close to Dylan," later told the LA Times in 2011 that no deal for any proposed book projects had been closed.


Q: Can I find Theme Time Radio Hour shows for download on the internet?

A:  Currently the best TTRH archive site is the "Theme Time Radio Hour Archive," an unofficial project by one of the show's fans.  Various other TTRH show archives have appeared (and regularly disappear) on the Web. A little judicious searching through Google or Dylan fan sites should identify what's available.

It's unlikely that a complete set of TTRH - 100* shows at the close of Season 3 - will ever be released commercially. The non-commercial efforts to distribute TTRH is likely to be the only complete record that will ever be accessible to researchers, scholars, and fans.

*102 shows as of September 2020.

Q: Where can I find additional information on TTRH?

A: Although incomplete, The Annotated Theme Time Radio Hour is an excellent reference site on TTRH. Lee Abrams's original XM Radio blog is still on-line and includes a lengthy three-part post on the background and creation of TTRH. Vanity Fair published an article on TTRH trivia both in a print version and on line in April 2008. It should be noted much of that article's content appears to have been taken from The Annotated Theme Time Radio Hour site without credit.

Although TTRH has ended, any new news about the show will continue to be found at Expecting Rain, the Dreamtime blog, and DylanTweets a news feed on Twitter run by Dreamtime. Bob Dylan's official web site has also carried news about TTRH.

Expecting Rain offers a TTRH forum, which was renamed to "Picasso's Theme Time Radio Hour " in memory of one of the show's most ardent fans. The archives of RightWing Bob and the Theme Time Radio Hour page on MySpace are also of interest.

Q: Will there be any more episodes of Theme Time Radio Hour?

A: It appeared that Theme Time Radio Hour had ended permanently in 2009 with its 100th episode.  However, in early 2015 Berlin radio station Radio Eins made a surprise announcement that it would air a heretofore unknown episode of TTRH as a special episode of the station's "Friendly Takeover" show. Entitled "Kiss," the hour-long 101st TTRH episode was broadcast on February 11, 2015, with copies of the show appearing almost immediately at various locations around the Web.  The show was rebroadcast on SiriusXM on Valentine's Day, February 14, 2015. Internal evidence suggests that the show was created for Season 3 of TTRH and probably recorded in 2008.  It's unknown why the show was not broadcast until 2015 or how Radio Eins secured it.

In September 2020, SiriusXM announced an all-new two-hour episode of Theme Time "discussing how whiskey has shaped the world — from music to sports and everything in between" in honor of Bourbon Heritage Month and a as a promotional tie-in to Dylan's whiskey enterprise, Heaven’s Door Spirits.

Dylan closed the "Whiskey" show by noting that Theme Time could return again "when you least expect it." One can hope.

***

Dreamtime friend and correspondent Heddy Richter was kind enough to review and edit the TTRH F.A.Q. for spelling, grammar, and consistency. All errors or omissions remain our own.

In Memory of Pierre Ponette ("Picasso From Belgium")

Last updated September 2020

Monday, October 12, 2009

Betties & Ditty-Bops: Deconstructing Christmas in the Heart's Credits


I have the admittedly weird tic of reading credits and acknowledgments from beginning to end, word-for-word, partly because I dated a lady in the movie biz who got me into the habit of watching a film's end credits as the rest of the audience filed out. "I like to see which of my friends is working," she told me as gaffers, sound synchers and "best boys'" names scrolled down. So be it movie, book, or music, it's always interesting to me to to see the credits of the team that put a project together. Here's some background on the "Christmas in the Heart" credits.

Front Cover

Designer Coco Shinomiya found the CD's Victorian sleigh cover illustration - which many people feel has a distinctly Russian bent to its look - at visuallanguage.com, one of the 150 images on a CD titled "Victorian Scrapbook Treasures II."

As all true Theme Time Radio Hour fans should know, Shinomiya is a graphic designer and art director and two-time Grammy nominee. Look at the credits of any Bob Dylan project of recent years and it's likely that Shinomiya had a hand in its design, including creating the Theme Time Radio Hour iconic logo.


Inside Photo

At the beginning of this article, a detail from Leonard Freed's inside photo for "Christmas in the Heart," a 2000 image taken in Rome of Italian street musicians breaking from their Santa rounds.

Born in Brooklyn in 19 and 29, Leonard Freed began his career in photography while in the Netherlands in 1953. He moved to Amsterdam in 1958 and photographed the Jewish community there, pursuing the theme in numerous books and films. His book on Jews in Germany was published in 1961, and "Made in Germany," about post-war Germany, appeared in 1965.

Working as a freelance photographer, Freed photographed blacks in America, the Yom Kippur War in 1973, and a series documenting the New York City police department from 1972 through 1979. He passed away in 2006.



Back Cover Illustration

The back cover illustration of the Three Kings following that Star of Wonder was created by the delightfully named Edwin Fotheringham, a name which sounds as if it could easily belong to "Christmas in the Heart's sleigh driver. Fotheringham was educated at the University of Washington School of Art in Seattle, where he lives today with his family.

According to his on-line bio, "...Fotheringham made a career change from fine artist/stockboy to illustrator in 1992...Having certain band members as housemates afforded Mr. Fotheringham the opportunity to illustrate their CD covers..."

Among his other credits, Fotheringham has illustrated album covers for the band, Mudhoney, and provided illustrations for Neiman Marcus, The New Yorker and Ladies' Home Journal. He's also illustrated two children's books, "What To Do About Alice?" and "Mermaid Queen." "Mr. Fotherigham," as he appears to like to refer to himself, has a great web site, well worth the visit.

Mixed Voice Singers

If anything gives "Christmas in the Heart" that late `50s/early `60s vintage feel it's the "mixed voice" chorus which sounds as if teleported directly from a Ray Conniff Christmas Special. Two members of that chorus - Amanda Barrett and Abby DeWald - are better known as The Ditty Bops, an L.A.-based duo with five albums to their credit.

Six of The Ditty Bop's songs have aired on the TV show "Grey's Anatomy," with their song "There's a Girl" appearing on the series soundtrack. The duo has also made appearances on Garrison Keillor's Prairie Home Companion.

The "Notorious" Bettie Page

The once and forever "Queen of the Pin-Ups," Bettie Page lived as complicated a life and career as Bob Dylan. Somewhat like Bob Dylan, Page's public image evolved into a series of archetypes - Jungle Queen, Girl Next Door, Good Girl Gone Bad - during the `50s. She faded away into obscurity and then saw her legend revived once again in the 1980s.

In 1950, during a walk along the Coney Island shore, a 26-year-old Bettie Page met Jerry Tibbs, a police officer with an interest in photography, and a member of what was euphemistically termed an "outdoor camera club." While there were numerous legitimate camera clubs of amateur photographers operating in the `40s and `50s, Tibbs belonged to one of the quasi-legal groups whose main purpose was to photograph young ladies in various states of déshabille... only for "art use" of course.

Within a few months, Page was posing for various men's magazines of the era, with titles such as Wink, Eyeful, Titter, and Tab. In 1955, Bettie won the title "Miss Pinup Girl of the World" and in January 1955, hit the big time as centerfold in Playboy in a photo session that would inspire the Olivia illustration used for "Christmas in the Heart."

Page's life was plagued by exploitation - even of the relatively mild pin-up and stag film "girlie" industry variety - bad marriages, and in her later life, clinical depression. By 1959, she had ended her pin-up career and had refocused her life on Christianity. In the early 1980s, comic book artist Dave Stevens based his hero's love interest on Bettie Page in the ground-breaking series "The Rocketeer." The popularity of the comic, along with a fanzine titled "The Betty Pages," which included photos from the camera club days, sparked renewed interest in Page's life and career. Dave Stevens would eventually become a close friend of Page, remarking in one interview that he could never have imagined that he would be cashing Page's social security checks and picking up groceries for her when he created "Betty Page" in "The Rocketeer."

Bettie Page passed away on December 6, 2008, leaving behind many fond memories for the boys and men who grew up with the images of "That Girl Next Door."

Out of curiosity, I ran "Bettie Page" and "Bob Dylan" together in a Google search, discovering that they had been separated from each other by a mere five degrees of dating, according to one web site. Probably more fantasy than fact, since Bettie Page's "date" with Sammy Davis Jr. apparently consisted of a shared taxi ride, but there's something attractive about the idea.

Sunday, May 04, 2008

Eddie & Coco and News on Season 3

A very interesting email from Dreamtime listener, Richard...

"So I was at Amoeba Records in Hollywood last Sunday and was thumbing through the Porter Wagoner section to see if they had the new Bear Family 3 CD set of his concept albums. Guy next to me sees what I'm doing and asks if I'm looking for the Bear Family set too.

I turn to tell him I am and its Eddie G (I recognized him from the DVD with the Ricky Jay Plays Poker set). I ask him if he's Eddie G, tell him how I know him and we start talking. Very nice guy.

He introduces me to his wife, Coco [Shinomiya]. He asks me what I'm buying today (Carlene Carter and Jim Lauderdale) and shows me his stash for the day (Carlene Carter, some blues comps, some Tex-Mex, etc) .

Also tells me that he just spoke to Elvis Costello yesterday. Carlene opened for E.C. at a show in Nashville and put on, according to Elvis, a dynamite set. I tell him how much I like the Dylan show. He tells me that he's very proud of that show and that they're working now on shows for the fall. We didn't get into specifics but he says he thinks the third season will be the best yet..."
A little research indicated that Coco, who gets name-checked on the closing credits of TTRH, is indeed married to Eddie G. A "Coco Grimes Gorodetsky" wife to an "Eddie Gorodetsky" was a character in an episode of Six Feet Under, written by Scott Buck, who's a good friend of Eddie G.

So, it also does look we're waiting till the Fall for the next round of Theme Time. Scribble, scribble, scribble, please, Mr. G.


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Tuesday, August 15, 2006

Episode 9 - The Outro

A podcast in three parts: Part 1 - Coco has a hot rod. Part 2: The Dharma and Greg connection. Part 3: The indisputable leader of the gang.







"Why does the eye see a thing more clearly in dreams than the imagination when awake?"
Leonardo da Vinci -
Def Inventor

This is the Dreamtime podcast - occasional commentary on Bob Dylan's Theme Time Radio Hour weekly show.

Episode 9 - The Outro

My last podcast was on Theme Time's intro, specifically "the Voice," who does the "Night time in the Big City," lead-in. I'll be coming back to that, ah, "theme," if you will in another podcast, but this week we're looking at the closing credits - the outro of "Theme Time" as read by your announcer, Pierre Mancini.


[Theme Time outro]

Part 1 - Coco has a hot rod

[From Theme Time - "Cars"]

Coco Shinomiya gets a special thanks each week on Theme Time, I suspect because Coco probably had a hand in the design of the Theme Time logo. A Los-Angeles based freelance art director and graphic designer, Coco is also sometimes known as Monster X, usually when she's pulling double duty on the same project.

Barnes & Noble, which is much better at listing full product information than Amazon, has over 100 titles associated with Coco's name; including, in no particular order, albums by Allen Ginsberg, Warren Zevon, Julie London, Connie Francis, and Buck Owens. She's been nominated twice for Grammies for album packaging.

As part of Dylan's posse, Coco did the cover design for Chronicles… and she has a book herself. Coco edited Hot Rods & Custom Cars: a book on hot rod customizing from one of my favorite publishers, Taschen Books.

She shares her home with a guinea pig named Roscoe and two hot rods -- a 32 Ford Tudor Sedan and a 27 T Roadster project… and she enjoys going fast.*

*Photos of Coco with friends and of her car courtesy of Tricia J.





[Dharma & Greg theme]

Part 2: The Dharma and Greg Connection

Eddie Gorodetsky, Debbie Sweeney and Diane Lapson are also named each week on Theme Time's credits. Like Coco, both Sweeney and Lapson are regular members of Dylan's crew: Sweeney and Lapson helped secure music clearances and were named as production managers on No Direction Home. Sweeney also gets a "special thanks" in the credits of the documentary about the making of Masked and Anonymous, Masked and Anonymous Exposed.

Gorodetsky, who's credited as Theme Time's producer, has an interesting bio in the International Movie database. Among his other credits, he's listed as a writer for the "Dharma and Greg" TV series, as well as both producer and supervising producer. In fact, an AP story from 1999 credits Gorodetsky with engineering Dylan's appearance on "Dharma and Greg." Gorodetsky also appeared in Masked and Anonymous, as well as The Aristocrats.

Interestingly, Gorodetsky was also a writer on the Batman animated TV series, a neo-noirish cartoon that could have coined the tag-line of Night time in the Big City. It makes you wonder whether he's the writer behind Theme Time's opening frame.

Part 3: The indisputable leader of the gang

[Fred bomp-bomps]

Oh, excuse me. Forgot you were still there. I was just thinking about the music we hear in the background each week as Pierre recites the credits. As more than one person has noted, it bears a striking resemblance to the theme music from a 1960s cartoon…

[Top Cat theme]

Top Cat
The most effec-tu-al Top Cat
Who's intellectual close friends get to call him T. C.
Providing it's with dignity
Top Cat
The indisputable leader of the gang
He's the boss
He's the VIP
He's a championship
He's the most tip top - Top Cat

Yes he's the chief
He's the king, but above everything
He's the most tip top - Top Cat!

Premiering in 19 and 61, "Top Cat," like its predecessor, "The Flintstones," was based on an earlier sit-com. For "The Flintstones," that was "The Honeymooners," of course, and for "Top Cat," the Phil Silvers' vehicle, "You'll Never Get Rich," also known at various times as "Sgt. Bilko" and "The Phil Silvers' Show."

In fact, the actor who did Top Cat's voice modeled it on Silver's, and the late Maurice Gosfield, who played the sweet Private Duane Doberman on "The Phil Silvers Show" also provided the voice for Benny the Ball in "Top Cat." "Top Cat" was known as "Boss Cat" in the United Kingdom due to a trademark conflict, as there was a brand of cat food with the Top Cat name sold in Great Britain.

Hanna-Barbera's main musical director, Hoyt Curtin, composed the music for "Top Cat," as well as many other popular cartoon theme songs, including those from "The Flintstones," "The Jetsons," and "Jonny Quest."

"Hoyt was the king of jingle-making," says Jean MacCurdy, president of Warner Bros. Animation (now Hanna-Barbera's parent company). "His strong suit was coming up with the themes that almost anyone on the street could sing at the drop of a hat. He was really quite remarkable."

This has been Fred Bals with the Dreamtime podcast - occasional commentary on Bob Dylan's Theme Time Radio Hour weekly show.

Dreamtime is not associated with Studio B, the Abernathy Building, or Sampson's Diner, but I keep looking. Maybe in my dreams.

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